I finished the drawing adding in some dark blacks, some fine hairs with the neadable rubber and some highlight touches of white chalk.
A nice frame from my friendly framer in Torre del mar and I’m very pleased with the finished piece.
I finished the drawing adding in some dark blacks, some fine hairs with the neadable rubber and some highlight touches of white chalk.
A nice frame from my friendly framer in Torre del mar and I’m very pleased with the finished piece.
‘Vern’ 30cm x 40cm Oil on board
The commissions I’ve been working on recently have evolved a great deal of geometry and measuring to get the subjects planned out on the canvas.
I fancied a break so I started this portrait of my Dad, Vern’ sketching in the garden during his visit a few weeks ago.
I fancied just diving in on this study without pre drawing, just to see how it would come out.
…well, I think it looks like him! The test will be to see what my sister thinks!
It took me about 5 hours over 2 days working from a hand full of Paparazzi pics I shot of him without him seeing me.
I used to think the great pleasure in charcoal was the wonderful rich lines you get when you really squeeze the black stick into the paper. It’s such a satisfying feeling.
But, I’ve grown up a bit now - it’s not the black that is interesting at all, it’s the use of that wonderfully diverse colour gray.
I think gray is such an underestimated colour and can be easily forgotten about in painting. It’s very expressive and mysterious at the same time.
Perhaps it is my past as a photographer and all those dark hours wet processing black and white prints, (yes I’m that old!) but I am on a mission to experiment and explore gray more in my painting, and find out more about its magic.
This horse is nearly finished now.
Steve